Emotion in Video Game Soundtracking

1. Welcome and Introduction from the Editors
Duncan Williams, Newton Lee

2. An Overview of Emotion as a Parameter in Music, Definitions, and Historical Approaches
Duncan Williams

3. Emotion in Speech, Singing, and Sound Effects
Duncan Williams

4. Affectively-Driven Algorithmic Composition (AAC)
Duncan Williams

5. An Auto-Ethnographic Approach to Creating the Emotional Content of Horror Game Soundtracking
David Bessell

6. Brain Computer Music Interfacing (BCMI)
Duncan Williams

7. When the Soundtrack Is the Game: From Audio-Games to Gaming the Music
Alexis Kirke

8. Motion Controllers, Sound, and Music in Video Games: State of the Art and Research Perspectives
Federico Visi, Frithjof Faasch

9. Repurposing Music According to Individual Preferences for Personalized Soundtracks
Duncan Williams

10. Sounding the Story: Music in Videogame Cutscenes
Giles Hooper

11. The Impact of Multichannel Game Audio on the Quality and Enjoyment of Player Experience
Joe Rees-Jones, Damian T. Murphy

12. Concluding Remarks
Duncan Williams, Newton Lee

Nyckelord: Computer Science, User Interfaces and Human Computer Interaction, Media Design, Game Development, Music, Mathematics in Music