Film/Music Analysis

1. Introduction: Who Is Entitled to Study Film Music?
Emilio Audissino

Part I. Pars Destruens

2. The Not-so-fantastical Gap Between Music Studies and Film Studies
Emilio Audissino

3. Recent Attempts to Bridge the Gap and Overcome a Separatist Conception
Emilio Audissino

Part II. Pars Construens

4. The Neoformalist Proposal
Emilio Audissino

5. Film/Music Analysis I: Music, Gestalt, and Audiovisual Isomorphism
Emilio Audissino

6. Film/Music Analysis II: Functions and Motivations of Music
Emilio Audissino

Part III. Pars Demonstrans

7. Five Illustrations of Film/Music Analysis
Emilio Audissino

8.
Close Encounters of the Third Kind and E.T. The Extraterrestrial: The Bonding Power of Music
Emilio Audissino

9. Recapitulation and Final Thoughts
Emilio Audissino

Nyckelord: Cultural and Media Studies, Audio-Visual Culture, Music, Film Theory, Film/TV Technology