Musical Modernism and German Cinema from 1913 to 1933

1. Introduction: The Cinematic Paradigm
Francesco Finocchiaro

2. Prologue: Cinema and the Arts
Francesco Finocchiaro

3. Cinema and Expressionist Drama
Francesco Finocchiaro

4. Paul Hindemith and the Cinematic Universe
Francesco Finocchiaro

5. Edmund Meisel: The Cinematic Composer
Francesco Finocchiaro

6.
Der Rosenkavalier: A Problematic Remediation
Francesco Finocchiaro

7. Cinema and Musical Theatre: Kurt Weill and the Filmmusik in Royal Palace

Francesco Finocchiaro

8. Alban Berg, Lulu, and Cinema as Artifice
Francesco Finocchiaro

9. New Objectivity and Abstract Cinema
Francesco Finocchiaro

10. Between Film Music and Chamber Music
Francesco Finocchiaro

11. Epilogue: The Dawn of Sound Cinema
Francesco Finocchiaro

Nyckelord: Cultural and Media Studies, Film and Television Studies, Music, European Culture, Cultural History