British Working-Class Writing for Children

1. Introduction
Haru Takiuchi

Part I. Children’s Book Publishing and the Working-Class Culture

2. Class Culture and Children’s Book Publishing: Leila Berg’s Nippers and Aidan Chambers’ Topliner
Haru Takiuchi

3. Bad Language or Working-Class Language: Robert Westall’s The Machine Gunners

Haru Takiuchi

Part II. Scholarship Boy Experiences in Children’s Books

4. Education and Uncertainty in Aidan Chamber’s Dance on My Grave

Haru Takiuchi

5. Aidan Chambers’ Breaktime: Class, Anxiety and Home
Haru Takiuchi

6. Alan Garner’s Red Shift: The Anger of the Scholarship Boy
Haru Takiuchi

Part III. Children’s Book Criticism and Scholarship Boys

7. Class and Children’s Book Criticism
Haru Takiuchi

8. The Conclusion of The Owl Service: Critical Ignorance of Class Anger
Haru Takiuchi

9. Robert Westall’s Fathom Five: The Scholarship Boy and Socialism
Haru Takiuchi

10. Conclusion: “The Awareness of Standing Between Two Cultures”
Haru Takiuchi

Nyckelord: Literature, Children's Literature, Twentieth-Century Literature, Fiction