The Palgrave Handbook of Sound Design and Music in Screen Media

1. Introduction
Liz Greene, Danijela Kulezic-Wilson

Part I. Boundaries and Their Disintegration

2. From Noise: Blurring the Boundaries of the Soundtrack
Liz Greene

3. Interview 1: Sound Recording, Sound Design and Collaboration—An Interview with Ann Kroeber
Liz Greene

4. Organizing Sound: Labour Organizations and Power Struggles that Helped Define Music and Sound in Hollywood
Gianluca Sergi

5. Mixing as a Hyperorchestration Tool
Sergi Casanelles

6. Emotional Sound Effects and Metal Machine Music: Soundworlds in Silent Hill Games and Films
K. J. Donnelly

Part II. Presence, Immersion, Space

7. Towards 3-D Sound: Spatial Presence and the Space Vacuum
Miguel Mera

8. Inner and Outer Worlds in the Film Gravity: A Multidisciplinary Approach
Gilbert Gabriel, David Sonnenschein

9. Intertwining Music and Sound in Film
Martine Huvenne

10. Interview 2: Reality and Representation—An Interview with Dario Marianelli
Miguel Mera

Part III. Listening: Affect and Body

11. Sound Effects/Sound Affects: ‘Meaningful’ Noise in the Cinema
James Wierzbicki

12. Listening to Violence: Point-of-Audition Sound, Aural Interpellation, and the Rupture of Hearing
Tony Grajeda

13. Acoustic Disgust: Sound, Affect, and Cinematic Violence
Lisa Coulthard

Part IV. Time and Memory

14. Mad Sound and the Crystal-Image: The Soundtrack of Rivette’s L’Amour fou

Byron Almén, James Buhler

15. The Sonic Realm in The Quatermass Experiment: Medium and Genre and Sound
Robynn J. Stilwell

16. Sound, Music and Memory in Jia Zhangke’s ‘Hometown Trilogy’
Philippa Lovatt

17. Vinyl Noise and Narrative in CD-Era Indiewood
Ian Garwood

18. Interview 3: Mixing Punk Rock, Classical, and New Sounds in Film Music—An Interview with Brian Reitzell
Meghan Joyce Tozer

Part V. Breaking Conventions

19. From Analogue to Digital: Synthesizers and Discourses of Film Sound in the 1980s
Katherine Spring

20. Unlearning Film School: The ‘lo-fi’ Soundtracks of Joe Swanberg
Nessa Johnston

21. The Janus Project: Cristobal Tapia de Veer’s Utopia, Anempathetic Empathy and the Radicalization of Convention
Annette Davison, Nicholas Reyland

22. Interview 4: Building Bridges: Sound Design as Collaboration, as Style and as Music in The Bridge—An Interview with Carl Edström
Annette Davison, Martin Parker

Part VI. The Sound of Machines and Non-Humans

23. The Sound of an Android’s Soul: Music, MIDI and Muzak in Time Of Eve

Philip Brophy

24. The Sounds in the Machine: Hirokazu Tanaka’s Cybernetic Soundscape for Metroid

William Gibbons

25. Redundancy and Information in Explanatory Voice-Ins and Voice-Offs
Cormac Deane

26. Interview 5: Under the Skin of Film Sound—An Interview with Johnnie Burn
John Hough

Part VII. The Musicality of Soundtrack

27. Electroacoustic Composition and the British Documentary Tradition
Andy Birtwistle

28. Renegotiating the Overture: The Use of Sound and Music in the Opening Sequences of A Single Man and Shame

Adam Melvin

29. Interview 6: Orchestration, Collaboration, and the Integrated Soundtrack—An Interview with Matt Dunkley
Ian Sapiro

30. Musically Conceived Sound Design, Musicalization of Speech and the Breakdown of Film Soundtrack Hierarchy
Danijela Kulezic-Wilson

Nyckelord: Cultural and Media Studies, Screen Performance, Music