Yorùbá Performance, Theatre and Politics

1. Introduction Performance and Ìfægbôntáayé«e: Genre, Knowledge, and Politics
Glenn Odom

2. A Critique of Yorùbá Judgment: Individual Authority, Community Creation, and the Embodiment of Àṣẹ
Glenn Odom

3. What Matter Who Dances?: Self-fashioning, (non)Subjects, and the Nation
Glenn Odom

4. No Victor, No Vanquished, No Past: Ola Rotimi, Yakubu Gowon, Sani Abacha, and ‘The End of Nigerian History’
Glenn Odom

5. Values Beyond Ethics: From Stella Dia Oyedepo to Tess Onwueme
Glenn Odom

6. Conclusions: Civil Governance and the Politics of Yorùbá Theatre
Glenn Odom

Nyckelord: Science, Science, general