Human Rights Film Festivals

Part I. Framings

1. Human Rights: From Universalism to Internationalism
Sonia M. Tascón

2. Film Festivals: Activism and the Gaze
Sonia M. Tascón

Part II. Festival Internacional de Cine Derechos Humanos, Buenos Aires

3. Context 1997–2003: History and Politics
Sonia M. Tascón

4. The Festival 1997 to 2003: From the Desaparecidos to Neoliberalism
Sonia M. Tascón

5. Context 2004–14: Postdictatorship, Postneoliberalism, and New Argentine Cinema
Sonia M. Tascón

6. The Festival 2004–14: The “Other” and Cosmopolitan Visions
Sonia M. Tascón

Part III. Human Rights Watch International Film Festival, New York

7. Context: From the Cold War to The Yes Men
Sonia M. Tascón

8. The Festival: Presences: Eastern Europe, the Middle East, and the United States
Sonia M. Tascón

9. Context: From Latin America to Political Documentary in the United States
Sonia M. Tascón

10. The Festival: Absence: Latin America
Sonia M. Tascón

11. Conclusions
Sonia M. Tascón

Nyckelord: Cultural and Media Studies, Film History, American Cinema, Latin American Cinema, Documentary, Film and Television Studies, Media Studies