Adorno and Performance

1. Introduction to Adorno and Performance
Will Daddario, Karoline Gritzner

2. Of Adorno’s Beckett
Michal Kobialka

3. Thoughts Which Do Not Understand Themselves: On Adorno’s Dream Notes
Karoline Gritzner

4. Performativization and the Rescue of Aesthetic Semblance
Andrea Sakoparnig

5. On the “Difference between Preaching an Ideal and Giving Artistic Form to the Historical Tension Inherent in It”
Mischa Twitchin

6. Cooking up a Theory of Performing
Anthony Gritten

7. Thinking Performance in Neoliberal Times: Adorno Encounters Neutral Hero
Ioana Jucan

8. Pleasing Shapes and Other Devilry: An Adornian Investigation of La Pocha Nostra Praxis
Stephen Robins

9. Thinking — Mimesis — Pre-Imitation: Notes on Art, Philosophy, and Theatre in Adorno’s Aesthetic Theory
Marcus Quent

10. On the Theatricality of Art
Anja Nowak

11. Adorno and Performance: Thinking with the Movement of Language
Birgit Hofstaetter

12. What Is Adorno Doing? Immanent Critique as Philosophical Performance
Mattias Martinson

13. The Vanity of Happiness: Adorno and Self-Performance
Julie Kuhlken

14. Writing as Life Performed
Martin Parker Dixon

Nyckelord: Cultural and Media Studies, Performing Arts, Theatre History, Theatre and Performance Studies, Arts