Bollywood and Its Other(s)

1. Introduction
Vikrant Kishore, Amit Sarwal, Parichay Patra

Section I. Exploring the Other: Cinema, Aesthetics, Philosophy

2. Self, Other and Bollywood
Dibyakusum Ray

3. Bombay Cinema’s Aesthetic Other
Parichay Patra

Section II. Diaspora and the Formation of the Global Bollywood

4. Transgressing the Moral Universe
Sarah A. Joshi

5. A Perfect Match
Sanchari De, Manas Ghosh

Section III. The Musicality of Bollywood: Possibilities of Alternative Reading(s)

6. Hindi Popular Cinema and Its Peripheries
Madhuja Mukherjee

7. ‘Dil Dance Maare Re’
Vikrant Kishore

8. The Systems Model of Creativity and Indian Film
Phillip McIntyre, Bob Davis, Vikrant Kishore

Section IV. Bollywood’s Other(s): Sexuality, B Movie, Queerness

9. Sugar and Spice
Suneeti Rekhari

10. Popular Forms, Altering Normativities
Aneeta Rajendran

11. Hinglish Cinema
Prateek, Amit Sarwal

12. The Ramsay Chronicles
Mithuraaj Dhusiya

13. Bollywood’s Encounters with the Third Kind
Sami Ahmad Khan

Section V. Bollywood’s Other, India’s Other

14. Death Becomes Her: Bombay Cinema, Nation and Kashmir
Kaushik Bhaumik

15. Afterword
Anupam Sharma

Nyckelord: Cultural and Media Studies, Asian Culture, Film History, Asian Cinema, Film and Television Studies, Media Studies, Regional and Cultural Studies