Cinema and the Imagination in Katherine Mansfield’s Writing

1. Introduction
Maurizio Ascari

2. Mansfield, Silent Film and Post-Impressionism
Maurizio Ascari

3. Beyond Impressionist Subjectivity
Maurizio Ascari

4. Ideological Stances and Aesthetic Concerns
Maurizio Ascari

5. Mansfield’s Post-War Reappraisal of Cinema
Maurizio Ascari

6. Sensory Deprivation and Inner Probing
Maurizio Ascari

7. Conclusion
Maurizio Ascari

Nyckelord: Cultural and Media Studies, Film and Television Studies, Literary History, British and Irish Literature, Fiction, Film History, Twentieth-Century Literature