History, Memory, Performance

1. Introduction
David Dean, Yana Meerzon, Kathryn Prince

2. Discursive Practices and Narrative Models: History, Poetry, Philosophy
Freddie Rokem

3. Performing Pasts for Present Purposes: Reenactment as Embodied, Performative History
Katherine Johnson

4. Minding the Gap: The Choreographer as Hyper-Historian in Oral History-Based Performance
Jeff Friedman

5. Un/becoming Nomad: Marc Lescarbot, Movement, and Metamorphosis in Les Muses de la Nouvelle France

V K Preston

6. Group Biography, Montage, and Modern Women in Hooligans and Building Jerusalem

Nancy Copeland

7. Alexander Pushkin’s Boris Godunov as Epic Theatre
J. Douglas Clayton

8. Shakespeare Inside Out: Hamlet as Intertext in the USSR 1934–43
Irena R. Makaryk

9. Raoul Wallenberg on Stage — or at Stake? Guilt and Shame as Obstacles in the Swedish Commemoration of their Holocaust Hero
Tanja Schult

10. Staging Auschwitz, Making Witnesses: Performances between History, Memory, and Myth
Rachel E. Bennett

11. Real Archive, Contested Memory, Fake History: Transnational Representations of Trauma by Lebanese War Generation Artists
Johnny Alam

12. Performing Collective Trauma: 9/11 and the Reconstruction of American Identity
Josy Miller

13. Contemporary Brazilian Theatre: Memories of Violence on the Post-Dictatorship Stage
Cláudia Tatinge Nascimento

14. Bent and the Staging of the Queer Holocaust Experience
Samantha Mitschke

15. Partners in Conversation: Ethics and the Emergent Practice of Oral History Performance
Edward Little, Steven High

Nyckelord: Cultural and Media Studies, Performing Arts, Theatre History, Arts, Theatre and Performance Studies