Television and British Cinema

1. Introduction: The Contexts of Convergence
Hannah Andrews

Part I. Convergence/Divergence: The Relations between Television and Film at the End of the Analogue Era

2. Film and Television Drama: The Making of a Relationship
Hannah Andrews

3. Television as Film, Film as Television: Broadcasting Cinema in the 1990s
Hannah Andrews

4. Commercialism and Quality: Television Institutions and the British Film Industry, 1998–2002
Hannah Andrews

Part II. Convergence and Divergence in the Digital Age

5. Digital Departures: Television Institutions and Low-Budget Production
Hannah Andrews

6. ‘Great Films You Know, Great Films You Don’t’: The Birth and Life of the FilmFour Digital Channel
Hannah Andrews

7. New Logics of Convergence: Film through Online Television
Hannah Andrews

8. Conclusion: Convergence and Divergence Now
Hannah Andrews

Nyckelord: Cultural and Media Studies, Film and Television Studies, Film History, British Cinema, Genre, Directing