Ethical Speculations in Contemporary British Theatre

1. To Begin to Speculate: Theatre Studies, Ethics and Spectatorship
Mireia Aragay

Part I. (Post-)Holocaust Representations

2. Violence, Testimony and Ethics in Martin Crimp’s The Country and The City
Clara Escoda

3. Bearing Witness and Ethical Responsibility in Harold Pinter’s Ashes to Ashes
Hanna Scolnicov

4. How to Mourn: Kane, Pinter and Theatre as Monument to Loss in the 1990s
Mark Taylor-Batty

Part II. Theoretical Speculations

5. Two: Duologues and the Differend
Dan Rebellato

6. The Undecidable and the Event: Ethics of Unrest in Martin Crimp’s Attempts on Her Life and debbie tucker green’s truth and reconciliation
Martin Middeke

Part III. Spectatorial Ethics

7. Playing with Proximity: Precarious Ethics on Stage in the New Millennium
Clare Wallace

8. Witness or Accomplice? Unsafe Spectatorship in the Work of Anthony Neilson and Simon Stephens
Vicky Angelaki

9. Witnessing, Sexualized Spectatorship and the (De)construction of Queer Identities in Mother Clap’s Molly House, The Pride and Cock
Enric Monforte

Part IV. Ethics and Institutions

10. From Front Page to Front Stage: War Correspondents and Media Ethics in British Theatre
Christiane Schlote

11. Kicking Tots and Revolutionary Trots: The English Stage Company Young People’s Theatre Scheme 1969–70
Graham Saunders

Nyckelord: Cultural and Media Studies, Performing Arts, Theatre History, Theatre and Performance Studies, British and Irish Literature