Theatres of Immanence

1. Introduction
Laura Cull

2. Immanent Authorship: From the Living Theatre to Cage and Goat Island
Laura Cull

3. Disorganizing Language, Voicing Minority: From Artaud to Carmelo Bene, Robert Wilson and Georges Lavaudant
Laura Cull

4. Immanent Imitations, Animal Affects: From Hijikata Tatsumi to Marcus Coates
Laura Cull

5. Paying Attention, Participating in the Whole: Allan Kaprow alongside Lygia Clark
Laura Cull

6. Ethical Durations, Opening to Other Times: Returning to Goat Island with Wilson
Laura Cull

7. Conclusion: What ‘Good’ Is Immanent Theatre? Immanence as an Ethico-Aesthetic Value
Laura Cull

8. Coda
Laura Cull

Nyckelord: Cultural and Media Studies, Performing Arts, Theatre and Performance Studies, Theatre History, Arts, Popular Science in Philosophy, Critical Theory