Violence, Narrative and Myth in Joyce and Yeats

1. Introduction
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2. Yeats’s Revolving Gyres
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3. Social Myth, Material Reality, and the Aesthetico-Ideological Functions of Art
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4. The Political Aesthetic of Yeats’s Myth in Anarchist and Syndicalist Contexts
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5. Social Myth, Literary Narrative, and Political Aesthetics
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6. Social Myth and James Joyce’s Political Aesthetic
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7. Social and Anti-social Aesthetic Drives in Joyce, Yeats, and Sorel
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8. W. B. Yeats, Social Myth, and Monoglossia
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9. James Joyce, Social Myth, and Heteroglossia
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10. Heteroglossic Desubjection and Monoglossic Subjection in Joyce, Yeats, and Sorel
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11. Modernism, Myth, Violence, and Social Change
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12. Modernist Art, Politics, and Social Change
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13. Modernism, Narrative, and Violence
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14. Conclusion
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Nyckelord: Literature, British and Irish Literature, Poetry and Poetics, Twentieth-Century Literature, Literary Theory