Identity, Performance and Technology

1. Introduction
Susan Broadhurst, Josephine Machon

Part I. Identities — New Epistemologies and Ontologies

2. Improvising Artists, Embodied Technology and Emergent Techniques
Andrew Bucksbarg, Selene Carter

3. Shifting Listening Identities – Towards a Fluidity of Form in Digital Music
Franziska Schroeder

4. Art as Eudaimonia: Embodied Identities and the Return Beat
Olu Taiwo

5. Graeae: An Aesthetic of Access — (De)Cluttering the Clutter
Jenny Sealey, Carissa Hope Lynch

Part II. (Ex)Posing Identity — Embodied Art Practices

6. Woven Bodies, Woven Cultures
Ghislaine Boddington

7. Pina
Susan Broadhurst

8. Experiential Identities in the Work of Marisa Carnesky
Josephine Machon

9. Lynn Hershman and the Creation of Multiple Robertas
Roberta Mock

Part III. Empowerment/Disempowerment in Digital Performance

10. (be)longing: A Case Study of Recording and Representation
Leslie Hill

11. Pluralistic Presence: Practising Embodiment with My Avatar
Sita Popat, Kelly Preece

12. The Silent Screen/Scream: A Sensual Exploration of the Interior/Exterior Screens of the (Dis)Closing Subject
Paul Woodward

Part IV. Blurring the Boundaries: The Delimited Self

13. Below the Surface
Helen Paris

14. Stelarc’s Mystical Body
Charlie Gere

15. Borderless Bodies — The Cellulardata Body
Hellen Sky

Nyckelord: Cultural and Media Studies, Performing Arts, Theatre History, Theatre and Performance Studies