The Politics of Romantic Theatricality, 1787–1832

1. Introduction
David Worrall

2. Busby, Burletta and Barnwell: Music, Stage and Audience
David Worrall

3. Dramatic Topicality: Robert Merry’s The Magician No Conjurer and the 1791 Birmingham Riots
David Worrall

4. Blackface and Black Mask: The Benevolent Planters versus Harlequin Mungo
David Worrall

5. Belles Lettres to Burletta: William Henry Ireland as Fortune’s Fool
David Worrall

6. The Libertine Reclaimed: Burletta and the Cockney Presence
David Worrall

7. The Royal Amphitheatre and Olympic Tom and Jerry Burlettas
David Worrall

8. Moncrieff’s Tom and Jerry and its Spin-Offs
David Worrall

9. Conclusion: The Canadian Tom and Jerry Murder
David Worrall

Nyckelord: Cultural and Media Studies, Theatre History, Eighteenth-Century Literature, Nineteenth-Century Literature, Literary History, Political History