From Performance to Print in Shakespeare’s England

1. Introduction: Printing Performance
Peter Holland

Part I. Performing the Book

2. The Book of the Play
Stephen Orgel

3. Making Meaning Marketing Shakespeare 1623
Gary Taylor

4. From Print to Performance: Looking at the Masque in Timon of Athens
John Jowett

5. ‘As it was, is, or will be played’: Title-pages and the Theatre Industry to 1610
Gabriel Egan

Part II. Editing and Performance

6. Editing Boys: the Performance of Genders in Print
Jeffrey Masten

7. On Not Looking Back: Sight and Sound and Text
A. R. Braunmuller

8. De-generation: Editions, Offspring, and Romeo and Juliet
Wendy Wall

Part III. Living Theatre

9. Rhetoric, Discipline, and the Theatricality of Everyday Life in Elizabethan Grammar Schools
Lynn Enterline

10. History Between Theaters
Anston Bosman

11. Robert Armin Do the Police in Different Voices
Richard Preiss

Part IV. Shakespeare Reconstructed

12. Hamlet’s Smile
Grazia Margreta

13. ‘The technique of it is mature’: Inventing the Late Plays in Print and in Performance
Gordon McMullan

Nyckelord: Cultural and Media Studies, Theatre History, Poetry and Poetics, Literature, general, Early Modern/Renaissance Literature, British and Irish Literature