Le Gothic

1. Introduction
Avril Horner, Sue Zlosnik

Part I. The Paris Nexus

2. Hugo’s Notre Dame de Paris, Leroux’s Le Fantôme de l’Opéra and the Changing Functions of the Gothic
Jerrold E. Hogle

3. Edgar Allan Poe in Paris: The Flâneur, the Détournement and the Gothic Spaces of the Nineteenth-Century City
Linnie Blake

4. Blood in Paris: Transformations of Revolutionary Gothic in Henry James and Elizabeth Bowen
Raphaël Ingelbien

Part II. Channel Crossings

5. ‘How do we ape thee, France!’ The Cult of Rousseau in Women’s Gothic Writing in the 1790s
Angela Wright

6. Huysmans, Machen and the Gothic Grotesque, Or: The Way Up is the Way Down
Alison Milbank

7. Gothic Permutations from the 1790s to the 1970s: Rethinking the Marquis de Sade’s Legacy
Maria Vara

8. Dracula’s Daughters: Angela Carter and Pierrette Fleutiaux’s Vampiric Exchanges
Rebecca Munford

Part III. Transatlantic Voyages

9. Beast’s Triumph over Beauty in Gothic Film
Kathy Justice Gentile

10. ‘Who is the third who walks always beside you?’ Eliot, Stoker and Stetson in The Waste Land
William Hughes

11. Calvinist Gothic: The Case of Charles Brockden Brown’s Wieland, or the Transformation and James Hogg’s The Private Memoirs and Confessions of a Justified Sinner
Carol Margaret Davison

12. Colonial Ghosts: Mimicking Dickens in America
Andrew Smith

Part IV. Coda: Other Directions

13. Translating Technologies: Dickens, Kafka and the Gothic
Barry Murnane

14. A Voyage through the Phantom Museum
David Punter

Nyckelord: Literature, Poetry and Poetics, British and Irish Literature, Eighteenth-Century Literature, Fiction, Twentieth-Century Literature, Nineteenth-Century Literature