Secrecy and Sapphic Modernism

1. Introduction: Screening desire in the Sapphic modernist roman à clef
Sashi Nair

2. ‘Moral poison’: Radclyffe Hall and The Well of Loneliness
Sashi Nair

3. ‘On her lips you kiss your own’: Theorizing desire in Djuna Barnes’ Nightwood
Sashi Nair

4. ‘Truth & fantasy’: Virginia Woolf’s Orlando as Sapphic roman à clef
Sashi Nair

5. ‘Gertrude, the world is a theatre for you’: Staging the self in The Autobiography of Alice B. Toklas
Sashi Nair

6. Conclusion: ‘Two alert and vivid bodies’: Desire and salvation in H.D.’s HER
Sashi Nair

Nyckelord: Social Sciences, Gender Studies, Literary Theory, Cultural Theory, Literature, general, Twentieth-Century Literature, Fiction