East Asian Cinemas

1. Introduction: Mapping East Asia’s Cinemascape
Vivian P. Y. Lee

Part I. Filmmaking, Film Industry and the Film Market

2. Transnational Trajectories in Contemporary East Asian Cinemas
Song Hwee Lim

3. Hollywood’s Global Strategy and the Future of Chinese Cinema
Hong Yin, Zhiwei Xiao

Part II. Genre and Transnational Aesthetics

4. Bicycle Thieves and Pickpockets in the “Desert of the Real”: Transnational Chinese Cinema, Postmodernism, and the Transcendental Style
Gina Marchetti

5. 007 in Late Colonial Hong Kong: Technology, Masculinity, and Sly Humor in Stephen Chow’s From Beijing with Love
Eric K. W. Yu

6. “Asia” as Regional Signifier and Transnational Genre-Branding: The Asian Horror Omnibus Movies Three and Three … Extremes
Nikki J. Y. Lee

7. J-Horror and Kimchi Western: Mobile Genres in East Asian Cinemas
Vivian P. Y. Lee

Part III. Screen Cultures and Identity Politics

8. Rethinking a New National Identity in Heisei Japan: Neo-Conservatism and Japanese Cinema
Kinnia Shuk-ting Yau

9. Cinematic Imagination of Border-Crossing in Hong Kong and the Pearl River Delta: Comrades, Almost a Love Story and Durian, Durian
Tsung-yi Michelle Huang

10. In the Name of “Asia”: Practices and Consequences of Recent International Film Co-Productions in East Asia
Ti Wei

Part IV. Interviews: Filmmakers on Filmmaking

11. Framing Tokyo Media Capital and Asian Co-Production
Stephanie DeBoer

12. “Working Through China” in the Pan-Asian Film Network: Perspectives from Hong Kong and Singapore
Vivian P. Y. Lee

Nyckelord: Cultural and Media Studies, Film and Television Studies, Film History, Asian Culture, Arts, Media Studies, Genre