Writing Dancing Together

Section 1. Against the Grain: Sexuality and Ballet Criticism

1. Dancing Dicks — A Case In Point(e)
Valerie A. Briginshaw

2. Modernism, Masculinity and Sexuality in Nijinsky’s L’Après-midi d’un faune
Ramsay Burt

Section 2. Rethinking Temporality: Preposterous Histories

3. Rethinking Temporality: Intertextual Plays Within and Between Discourses of Space, Time and Performing Bodies
Valerie A. Briginshaw, Ruth Chandler

4. Façade, Elvis Legs, and the Humorous Pleasures of Dancing
Ramsay Burt

5. Napoli and Palermo, Palermo: Cosmopolitanism and Energetic Excess
Ramsay Burt

Section 3. Uncontrollable Intensities

6. ‘Don’t mention Busby Berkeley’: A Reassessment of Lea Anderson’s Yippeee!!!
Valerie A. Briginshaw, Ramsay Burt

7. Corporeality and Materiality in Pina Bausch’s Tanztheater: Notions of the Irreparable
Valerie A. Briginshaw

Section 4. Two Interviews

8. Interview with Peter Pabst, Sadler’s Wells, London, 2 February 2002 and Cologne, 22 February 2008
Valerie A. Briginshaw, Ramsay Burt

9. Interview with Meredith Monk about Turtle Dreams (Cabaret)
Valerie A. Briginshaw, Ramsay Burt

Section 5. Insurmountable Memories

10. Danced Testimonies of the Traumas of Migration
Ramsay Burt

11. Sensation and Memory in Emilyn Claid’s Remember to Forget (2003) and Gilles Deleuze’s Discussion of Francis Bacon’s Paintings
Valerie A. Briginshaw

Section 6. Reimagining Dancing Together

12. Affective Differences and Repetitions in Both Sitting Duet
Valerie A. Briginshaw

13. What the Dancing Body Can Do: Spinoza and the Ethics of Experimental Theatre Dance
Ramsay Burt

Section 7. Conclusion

14. Conclusion
Valerie A. Briginshaw, Ramsay Burt

Nyckelord: Cultural and Media Studies, Dance, Geology, Theatre History, Music, Theatre and Performance Studies, Film and Television Studies