Musical Instruments in the 21st Century

1. Introduction
Till Bovermann, Alberto Campo, Hauke Egermann, Sarah Hardjowirogo, Stefan Weinzierl

Part I. Think Know Reflect

2. Instrumentality. On the Construction of Instrumental Identity
Sarah-Indriyati Hardjowirogo

3. From Musical Instruments as Ontological Entities to Instrumental Quality: A Linguistic Exploration of Musical Instrumentality in the Digital Era
Caroline Cance

4. From Idiophone to Touchpad. The Technological Development to the Virtual Musical Instrument
Bernd Enders

5. Musical Instruments as Assemblage
Paul Théberge

6. Instrumentality as Distributed, Interpersonal, and Self-Agential: Aesthetic Implications of an Instrumental Assemblage and Its Fortuitous Voice
Deniz Peters

7. Interactivity of Digital Musical Instruments: Implications of Classifying Musical Instruments on Basic Music Research
Jin Hyun Kim, Uwe Seifert

Part II. Design Make Create

8. Movement Meets Material—An Improvisational Approach to Design
Johanna Schindler, Amelie Hinrichsen

9. Instrumentality, Time and Perseverance
Giuseppe Torre, Kristina Andersen

10. Machine Learning as Meta-Instrument: Human-Machine Partnerships Shaping Expressive Instrumental Creation
Rebecca Fiebrink

11. Interfacing Sound: Visual Representation of Sound in Musical Software Instruments
Thor Magnusson

12. Digital Media and Electronic Music in the Classroom—The Loop Ensemble
Marten Seedorf, Christof Martin Schultz

13. The Birl: Adventures in the Development of an Electronic Wind Instrument
Jeff Snyder

14. Case Study: The Endangered Guitar
Hans Tammen

Part III. Compose Play Perform

15. Interplay Between Composition, Instrument Design and Performance
M. A. J. Baalman

16. Instrumentality in Sonic Wild{er}ness
Antye Greie-Ripatti, Till Bovermann

17. Instrumental Modality. On Wanting to Play Something
Bjørnar Habbestad, Jeff Carey

18. Instruments for Spatial Sound Control in Real Time Music Performances. A Review
Andreas Pysiewicz, Stefan Weinzierl

19. Lucille Meets GuitarBot: Instrumentality, Agency, and Technology in Musical Performance
Philip Auslander

20. No Flute Is an Island, Entire of Itself. Transgressing Performers, Instruments and Instrumentality in Contemporary Music
Bjørnar Habbestad

21. LiveCodeNet Ensamble: A Network for Improvising Music with Code
Hernani Villaseñor Ramírez

22. Three Flavors of Post-Instrumentalities: The Musical Practices of, and a Many-Festo by Trio Brachiale
Dominik Hildebrand Marques Lopes, Hannes Hoelzl, Alberto Campo

Part IV. Listen Perceive Feel

23. Mapping, Causality and the Perception of Instrumentality: Theoretical and Empirical Approaches to the Audience’s Experience of Digital Musical Instruments
Gina Emerson, Hauke Egermann

24. Western Orchestral Instruments in the Foreground: What Features Make an Instrument More Attractive for a Solo Role in Concertos?
Song Hui Chon

25. Instruments Unheard of: On the Role of Familiarity and Sound Source Categories in Timbre Perception
Kai Siedenburg

26. What If Your Instrument Is Invisible?
Dafna Naphtali

Avainsanat: Engineering, Engineering Acoustics, Acoustics, Music, Signal, Image and Speech Processing, Multimedia Information Systems