American–Australian Cinema

1. Where I’m Calling From: An American–Australian Cinema?
Adrian Danks, Stephen Gaunson, Peter C. Kunze

Part I. Across the Pacific: Looking to America

2. Rudimentary Modernism: Ken G. Hall, Rear-Projection and 1930s Hollywood
Adrian Danks

3. Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life

Leslie DeLassus

4. Representations and Hybridizations in First Nation Cinema: Change and Newness by Fusion
Jane Mills

5. Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette’s Anti-Star Persona
Fincina Hopgood

Part II. The View From There: Australian Films in the US

6. Accented Relations: Mad Max on US Screens
Tessa Dwyer

7. Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood

Peter C. Kunze

8. Australian Horror Movies and the American Market
Mark David Ryan

9. The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of The Babadook

Amanda Howell

Part III. Here and There: Crossing Between Australian, US and International Cinemas

10. American Cartel: Block Bookings and the Paramount Plan
Stephen Gaunson

11. The Multiplex Era
Jock Given

12. “Zest to the jaded movie palate”: Wallace Worsley, Scott R. Dunlap and The Romance of Runnibede

Jeannette Delamoir

13. Defining Neverland: P. J. Hogan, J. M. Barrie and Peter Pan in Post-Mabo Australia
Jerod Ra’Del Hollyfield

14. Baz Luhrmann’s The Great Gatsby: Telling a National Iconic Story Through a Transnational Lens
Lesley Hawkes

Avainsanat: Cultural and Media Studies, Australasian Cinema, American Cinema, Global Cinema, Global/International Culture, Australasian Culture