Formations of Masculinity in Post-Communist Hungarian Cinema

1. The Labyrinth Principle: Figures of Entrapment in Hungarian Art House Cinema
György Kalmár

2. Historical Ruptures and Ironic Masculinities (Moscow Square. Ferenc Török, 2001)
György Kalmár

3. Men on the Margins of History (Hukkle. György Pálfi, 2002)
György Kalmár

4. Inhabiting the Post-Communist (Kontroll. Nimród Antal, 2003)
György Kalmár

5. Masculinity Outside Victory Narratives (White Palms. Szabolcs Hajdu, 2006)
György Kalmár

6. Fathers and Their Monsters (Tender Son: The Frankenstein Project. Kornél Mundruczó, 2010)
György Kalmár

7. Little Black Boys (Just the Wind. Benedek Fliegauf, 2012)
György Kalmár

Avainsanat: Cultural and Media Studies, European Cinema, Film History, European Culture, Russian, Soviet, and East European History