Locating Nordic Noir

1. Introduction: Where Is Nordic Noir?
Kim Toft Hansen, Anne Marit Waade

Part I. Local Colour and Location Studies

2. Local Colour and Places on Screen
Kim Toft Hansen, Anne Marit Waade

3. Location Studies: A Topography of Nordic Noir
Kim Toft Hansen, Anne Marit Waade

4. Four Perspectives on the Nordic Region
Kim Toft Hansen, Anne Marit Waade

Part II. From Bestsellers to Blockbusters

5. Stieg Larsson and Scandinavian Crime Literature as a Stepping Stone
Kim Toft Hansen, Anne Marit Waade

6.
Beck and Character Adaptations
Kim Toft Hansen, Anne Marit Waade

7. Funding Models and Increasing Transnationalism
Kim Toft Hansen, Anne Marit Waade

Part III. Written for the Danish Screen

8.
The Killing and DR’s Danish Model
Kim Toft Hansen, Anne Marit Waade

9.
Norskov and Danish Commercial Public Service Drama
Kim Toft Hansen, Anne Marit Waade

10.
The Team, Danish Transnationalism and the Local Colour of Europe
Kim Toft Hansen, Anne Marit Waade

Part IV. Written for the Nordic Screen

11.
Blue Eyes and the Rise of the Swedish Original
Kim Toft Hansen, Anne Marit Waade

12.
Trapped and Original Noir from Iceland and Norway
Kim Toft Hansen, Anne Marit Waade

13.
The Bridge, Transnational Co-productions and Screen Tourism
Kim Toft Hansen, Anne Marit Waade

14. Conclusion: Nordic Noir Beyond the Nordic
Kim Toft Hansen, Anne Marit Waade

Avainsanat: Cultural and Media Studies, Film and Television Studies, European Culture, Media and Communication, Popular Culture, Human Geography