Space and Subjectivity in Contemporary Brazilian Cinema

1. Introduction
Antônio Márcio Silva, Mariana Cunha

Part I. Territorialization and Marginal Subjectivities

2. Tikmũ’ũn’s Caterpillar-Cinema: Off-Screen Space and Cosmopolitics in Amerindian Film
André Brasil

3. The Reterritorializations of Urban Space in Brazilian Cinema
Eduardo Jesus

4. Mapping from the Margins: The Films of Beto Brant
Maurício Sellmann Oliveira

Part II. Intensive Space, Landscape, and Spatial Experience

5. Bodies in Landscape: The Scientist’s Presence in Viajo Porque Preciso, Volto Porque Te Amo and Ventos De Agosto

Mariana Cunha

6. Intensive Spatium and the Construction of Child Subjectivities in Brazilian Cinema
Antonio Carlos Rodrigues Amorim, Marcus Pereira Novaes

Part III. Utopia, Memory‚ and Urban Architecture

7.
Insolação: Subjective Perception of an Urban Utopia Through the Lens of Love and Loss
Leticia Colnago

8. Astral Cities, New Selves: Utopian Subjectivities in Nosso Lar and Branco Sai, Preto Fica

Antonio Cordoba

9. Underneath the Surface, Embodied on Screen: Memory and Social Conflict in São Paulo’s Cityscape
Marília Goulart

Part IV. Queering Spaces

10. The Space of Queer Masculinities in Karim Aïnouz’s Praia Do Futuro

Simone Cavalcante da Silva

11. Water and Queer Intimacy
Fernando G. Pagnoni Berns

Part V. Domestic Spaces and Social Differences

12. ‘Casa Grande & Senzala’: Domestic Space and Class Conflict in Casa Grande and Que Horas Ela Volta?

Tiago Luca

13.
O Som Ao Redor: Aural Space, Surveillance, and Class Struggle
Patricia Sequeira Brás

Avainsanat: Cultural and Media Studies, Latin American Cinema, Latin American Culture, Film Theory, Media and Communication, Urban Studies/Sociology