"Schwarz's study is chock full of judicious evaluation of characters, narrative devices, ethical commentary, and helpful information about historical and political contexts including the role of Napoleon, the rise of capitalism, trains, class divisions, transformation of rural life, and the struggle to define human values in a period characterized by debates between and among rationalism, spiritualism, and determinism. One experiences the pleasure of watching a master critic as he re-reads, savors, and passes on his hard-won wisdom about how we as humans read and why.
Daniel Morris,Professor of English, Purdue University
Written by one of literature's most esteemed scholars and critics,Reading the European Novel to 1900is an engaging and in-depth examination of major works of the European novel from Cervantes'Don Quixote toZola'sGerminal. In Daniel R. Schwarz's inimitable style, which balances formal and historical criticism in precise, readable prose, this book offers close readings of individual texts with attention to each one's cultural and canonical context.
Major texts that he discusses: Cervantes'Don Quixote; Stendhal'sThe Red and the BlackandThe Charterhouse of Parma; Balzac'sPère Goriot; Flaubert'sMadame BovaryandSentimental Education; Dostoevsky'sNotes from Underground, Crime and Punishment, andThe Brothers Karamazov; Tolstoy'sWar and PeaceandAnna Karenina; and Zola'sGerminal.
Schwarz examines the history and evolution of the novel during this period and defines each author's aesthetic, cultural, political, and historical significance. Incorporating important pedagogical suggestions and the latest research, this text provides accessible and lucid discussion of the European novel to 1900 for students, teachers, and general readers interested in the evolution of the novelistic form.
Avainsanat: Cervantes, Don Quixote, Balzac, Pere Goriot, Stendhal, Charterhouse of Parma, The Red and the Black, Flaubert, Madame Bovary, Sentimental Education, Tolstoy, Anna Karenina, War and Peace, Dostoevsky, Notes from Uniderground, Crime and Punishment, Brothers Karamazov, Zola, Germinal, history of the novel, novel form, literary criticism, humanism, The Novel, The Novel