Tieber, Claus
The Sounds of Silent Films
1. Introduction: ‘The Birth of Cinema from the Spirit of Music’
Claus Tieber, Anna K. Windisch
Part I. The Historical Practice of Silent Film Sound
2. Organizing a Music Library for Playing to Pictures: Theory vs. Practice in Britain
Julie Brown
3. The Formation of a Swedish Cinema Music Practice, 1905–1915
Christopher Natzén
4. The Use of Cue Sheets in Italian Silent Cinema: Contexts, Repertoires, Praxis
Marco Targa
5. Music, Singing and Stage Practice in the Cinemas of Upper Silesia During the 1920s
Urszula Biel
6. The Sound of Music in Vienna’s Cinemas, 1910–1930
Claus Tieber, Anna K. Windisch
7. The
James Buhler, Catrin Watts
8. Musical Beginnings and Trends in 1920s Indian Cinema
Olympia Bhatt
Part II. New Approaches to Silent Film Music History and Theory
9. Deconstructing the ‘Brutal Savage’ in John Ford’s
Peter A. Graff
10. ‘The Hermeneutic Framing of Film Illustration Practice’: The
Maria Fuchs
11. Sergei Eisenstein and the Music of Landscape: The ‘Mists’ of
Francesco Finocchiaro
12. Paradoxes of Autonomy: Bernd Thewes’s Compositions to the
Marion Saxer
13. The Tradition of Novelty — Comparative Studies of Silent Film Scores: Perspectives, Challenges, Proposals
Marco Bellano
14. Germaine Dulac’s
Jürg Stenzl
Avainsanat: Cultural and Media Studies, Music, Film History, Film and Television Studies, Arts, Media Studies
- Toimittaja
- Tieber, Claus
- Windisch, Anna K.
- Julkaisija
- Springer
- Julkaisuvuosi
- 2014
- Kieli
- en
- Painos
- 1
- Sarja
- Palgrave Studies in Audio-Visual Culture
- Sivumäärä
- 285 sivua
- Kategoria
- Taide, taidehistoria
- Tiedostomuoto
- E-kirja
- eISBN (PDF)
- 9781137410726
- Painetun ISBN
- 978-1-349-48905-3