Editing, Performance, Texts

1. Introduction: New Practices
Jacqueline Jenkins, Julie Sanders

Part I. Enabling Manuscripts to Speak

2. What the Beauchamp Pageant Says about Medieval Plays
Claire Sponsler

3. Reading Images, Drawing Texts: The Illustrated Abbey of the Holy Ghost in British Library MS Stowe 39
Boyda Johnstone

4. The Towneley Manuscript and Performance: Tudor Recycling?
Murray McGillivray

5. Performing the Percy Folio
Andrew Taylor

Part II. Performance Traces in the Archives

6. London Commercial Theatre 1500–1576
Mary C. Erler

7. The Revision of Manuscript Drama
James Purkis

8. Playing Ghismonda for ‘fooles’ and ‘noble freinds’: Revising for Performance Between Glausamond and Ghismonda

Kirsten Inglis

9. Cressida’s Letter: Readings and Performances in the Shakespearean Archive
J. Gavin Paul

Part III. Editing Through Performance

10. (Un)Editing with (Non-)Fictional Bodies: Pope’s Daggers
Lynette Hunter, Peter Lichtenfels

11. Influencing Editors, Influencing Performers: The Page to Stage Relationship
Christie Carson

12. Actors and Editors: A Feature of the Edition Richard Brome Online

Richard Cave, Eleanor Lowe, Brian Woolland

Avainsanat: Cultural and Media Studies, Performing Arts, Theatre History, Poetry and Poetics, Theatre and Performance Studies, Literature, general, British and Irish Literature