Self-Consciousness in Modern British Fiction

1. Introduction: Functional Illusions and Modernist Self-Consciousness
Brook Miller

2. Self-Consciousness, Embodiment, and the Narrativizing Self
Brook Miller

3. Minding the Gap: Embodiment, Narrativity, and Identification in Under Western Eyes
Brook Miller

4. Selfhood and the Sensorium in A Portrait of the Artist as a Young Man
Brook Miller

5. Removing the Serpent’s Tail from Its Mouth: D. H. Lawrence’s Vision of Embodied Consciousness
Brook Miller

6. Narrative Identity, Embodied Consciousness, and The Waves
Brook Miller

7. Scriptive Consciousness and Embodied Empathy in The Golden Notebook
Brook Miller

8. Conclusion
Brook Miller

Avainsanat: Literature, Literary Theory, Cultural Theory, Twentieth-Century Literature, British and Irish Literature, Literary History, Cultural Anthropology