Sell, Mike
Avant-Garde Performance and Material Exchange
1. Introduction
Mike Sell
Part I. Intersections
2. Introduction
James M. Harding
3. From Italy and Russia to France and the U.S.: “Fascist” Futurism and Balanchine’s “American” Ballet
Patricia Gaborik, Andrea Harris
4. Confessions of a Failed Theatre Activist: Intercultural Encounters in Uganda and Rwanda
Laura Edmondson
5. The Living Theatre’s Arrested Development in Brazil: an Intersection of Activist Performances
Cindy Rosenthal
Part II. Translations
6. Introduction
Jean Graham-Jones
7. “Powerful Disseminator of Radical Thought”: Anarchism and the Introduction of Modern Western Theatre to China
Siyuan Liu, Andrea Harris
8. Translation, Typography, and the Avant-Garde’s Impossible Text
Sarah Bay-Cheng
9. Maoist Performativities: Milton Acorn and the Canadian Liberation Movement
Alan Filewod
Part III. Divergences
10. Introduction
Alan Filewod
11. Avant-Garde Becomes Nationalism: Immortalizing Nam June Paik in South Korea
Esther Kim Lee
12. The Avant-Garde of Necessity: the Protest Theatre Movement in Zimbabwe
Praise Zenenga
13. The Ians in the Audience: Punk Attitude and the Influence of the Avant-Garde
Graham White
14. Afterword The Avant-Garde and Vector Studies: A Roundtable
Alan Filewod, James M. Harding, Jean Graham-Jones, Kimberly Jannarone, Mike Sell
Avainsanat: Cultural and Media Studies, Performing Arts, Theatre History, Theatre and Performance Studies, Film History
- Toimittaja
- Sell, Mike
- Julkaisija
- Springer
- Julkaisuvuosi
- 2011
- Kieli
- en
- Painos
- 1
- Sarja
- Performance Interventions
- Sivumäärä
- 239 sivua
- Kategoria
- Taide, taidehistoria
- Tiedostomuoto
- E-kirja
- eISBN (PDF)
- 9780230298941
- Painetun ISBN
- 978-1-349-31707-3