New Takes in Film-Philosophy

1. Introduction
Havi Carel, Greg Tuck

Part I. Deep Focus — Approaches to Film-Philosophy

2. On the Possibility of Cinematic Philosophy
Thomas E. Wartenberg

3. Re-enfranchising Film: Towards a Romantic Film-Philosophy
Robert Sinnerbrink

4. Notes on Stanley Cavell and Philosophical Film Criticism
Andrew Klevan

5. Broken Glass by the Road: Adorno and a Cinema of Negativity
Hamish Ford

6. Film Can’t Philosophise (and Neither Can Philosophy): Introduction to a Non-Philosophy of Cinema
John Mullarkey

Part II. Wide Angles — The Boundaries of Film-Philosophy

7. The Loom of Fate: Graphic Origins and Digital Ontology in Wanted
Stephen Mulhall

8. Film, Literature and Non-Cognitive Affect
Amy Coplan, Derek Matravers

9. Theory as Style: Adapting Crash via Baudrillard and Cronenberg
Catherine Constable

10. The Ghost is the Machine: Media-Philosophy and Materialism
Karin Littau

11. Art, Cinema, Sex, Ontology: Maurice Merleau-Ponty and the In-visible of Cinema
Greg Tuck

Part III. Directors Cut — Readings in Film Philosophy

12. Fleshing Out the Image: Phenomenology, Pedagogy, and Derek Jarman’s Blue
Vivian Sobchack

13. Serious Men: The Films of the Coen Brothers as Ethics
Julian Baggini

14. A Bleak Burlesque: Michael Haneke’s Funny Games as a Study in Violence
Andrew McGettigan

15. In the Grip of Grief: Epistemic Impotence and the Materiality of Mourning in Shinya Tsukamoto’s Vital
Havi Carel

Avainsanat: Cultural and Media Studies, Film History, Political Philosophy, Social Philosophy, Film and Television Studies, Aesthetics