The New Film History

1. Introduction
James Chapman, Mark Glancy, Sue Harper

Part I. History

2. Gone With the Wind (1939) and the Lost Cause: A Critical View
Melvyn Stokes

3. History and Representation: The Case of 1970s British Cinema
Sue Harper

4. Gallipoli (1981): ‘A Poignant Search for National Identity’
Mark Connelly

5. ‘This Ship is England’: History, Politics and National Identity in Master and Commander: The Far Side of the World (2003)
James Chapman

Part II. Authorship

6. Art in Context: British Film Design of the 1940s
Laurie Ede

7. The Author as Author: Restoring the Screenwriter to British Film History
Andrew Spicer

8. When ‘Hanoi Jane’ Conquered Hollywood: Jane Fonda’s Films and Activism, 1977–81
Peter Krämer

Part III. Genre

9. The Politics of the Swashbuckler
Jeffrey Richards

10. The Stalinist Musical
Richard Taylor

11. Now, Voyager (1942): Melodrama Then and Now
Martin Shingler

12. From Gangsta to Gangster: The Hood Film’s Criminal Allegiance with Hollywood
Jonathan Munby

Part IV. Reception

13. Blackmail (1929), Hitchcock and Film Nationalism
Mark Glancy

14. British Cinema, American Reception: Black Narcissus (1947) and the Legion of Decency
Sarah Street

15. Studying Cross-Cultural Marketing and Reception: Ingmar Bergman’s Persona (1966)
Ingrid Stigsdotter, Tim Bergfelder

16. The Wicker Man (1973) Email Digest: A Case Study in Web Ethnography
Justin Smith

Avainsanat: Cultural and Media Studies, Film and Television Studies, Cultural History, Film History