The Topos of Music II: Performance

Part VIII. Structure Theory of Performance

1. Local and Global Performance Transformations
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2. Performance Fields
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3. Initial Sets and Initial Performances
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4. Hierarchies and Performance Scores
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Part IX. Expressive Semantics

5. Taxonomy of Expressive Performance
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6. Performance Grammars
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7. Stemma Theory
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8. Operator Theory
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Part X. RUBATO®

9. Architecture
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10. The RUBETTE® Family
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11. Performance Experiments
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Part XI. Statistics of Analysis and Performance

12. Analysis of Analysis
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13. Differential Operators and Regression
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14. Relating Tempo to Metric, Melodic and Harmonic Analyses in Chopin’s Prélude op. 28, No. 4
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Part XII. Inverse Performance Theory

15. Principles of Music Critique
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16. Critical Fibers
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Part XIII. Operationalization of Poiesis

17. Unfolding Geometry and Logic in Time
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18. Local and Global Strategies in Composition
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19. The Paradigmatic Discourse on presto®
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20. Case Study I: “Synthesis” by Guerino Mazzola
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21. Object-Oriented Programming in OpenMusic
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Part XIV. String Quartet Theory

22. Historical and Theoretical Prerequisites
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23. Estimation of Resolution Parameters
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24. The Case of Counterpoint and Harmony
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Keywords: Mathematics, Mathematics in Music, User Interfaces and Human Computer Interaction, Music, Computer Appl. in Arts and Humanities, Performing Arts, Creativity and Arts Education