Screen Production Research

1. Introduction
Craig Batty, Susan Kerrigan

2. A ‘Logical’ Explanation of Screen Production as Method-Led Research
Susan Kerrigan

3. Lights, Camera, Research: The Specificity of Research in Screen Production
Leo Berkeley

4. The Primacy of Practice: Establishing the Terms of Reference of Creative Arts and Media Research
Desmond Bell

5. Screenwriting as a Mode of Research, and the Screenplay as a Research Artefact
Craig Batty, Dallas J. Baker

6. Using Practitioner-Based Enquiry (PBE) to Examine Screen Production as a Form of Creative Practice
Phillip McIntyre

7. Ethnography and Screen Production Research
Marsha Berry

8. Method in Madness: A Case Study in Practice Research Methods
Erik Knudsen

9. Cinematography: Practice as Research, Research into Practice
Cathy Greenhalgh

10. Practices of Making as Forms of Knowledge: Creative Practice Research as a Mode of Documentary Making in Northeast India
Aparna Sharma

11. Fragments, Form and Photogénie: Using Practice to Research the Intersectional Work of Poetic Documentary
Bettina Frankham

12. Peter Kennedy’s The Photographs’ Story: The Dialectical Image as Research
John Hughes

13. The Naïve Researcher Resisting Methodology: A Ph.D. Experience
Smiljana Glisovic

14. Afterword: Tacit Knowledge and Affect—Soft Ethnography and Shared Domains

Belinda Middleweek, John Tulloch

Keywords: Cultural and Media Studies, Film Production, Research Methodology, Digital/New Media, Screenwriting, Documentary