The Musical-Mathematical Mind

1. Extended Counterpoint Symmetries and Continuous Counterpoint
Octavio A. Agustín-Aquino

2. Gödel-Vector and Gödel-Address as Tools for Genealogical Determination of Genetically-Produced Musical Variants
Carlos Lemos Almada

3. A Survey of Applications of the Discrete Fourier Transform in Music Theory
Emmanuel Amiot

4. Gestures on Locales and Localic Topoi
Juan Sebastián Arias

5. On the Structural and the Abstract in My Compositional Work
Clarence Barlow

6. A Proposal for a Music Writing for the Visually Impaired
Teresa Campos-Arcaraz

7. Group Theory for Pitch Sequence Representation: From the Obvious to the Emergent Complexity
Emilio Erándu Ceja-Cárdenas

8. Mazzola’s Escher Theorem
Yemile Chávez-Martínez, Emilio Lluis-Puebla

9. The Mechanics of Tipping Points: A Case of Extreme Elasticity in Expressive Timing
Elaine Chew

10. Lexicographic Orderings of Modes and Morphisms
David Clampitt

11. Music of Quantum Circles
Micho Đurđevich

12. Partitiogram, Mnet, Vnet and Tnet: Embedded Abstractions Inside Compositional Games
Pauxy Gentil-Nunes

13. Algebraic Combinatorics on Modes
Franck Jedrzejewski

14. Proportion, Perception, Speculation: Relationship Between Numbers and Music in the Construction of a Contemporary Pythagoreanism
Juan Sebastián Lach Lau

15.
Topos Echóchromas Hórou (The Place of the Tone of Space). On the Relationship Between Geometry, Sound and Auditory Cognition
Jaime Alonso Lobato-Cardoso

16. Models and Algorithms for Music Generated by Physiological Processes
Jaime Alonso Lobato-Cardoso, Pablo Padilla-Longoria

17. Music, Expectation, and Information Theory
D. Gareth Loy

18. Gestural Dynamics in Modulation: (Towards) a Musical String Theory
Guerino Mazzola

19. Manuel M. Ponce’s Piano Sonata No. 2 (1916): An Analysis Using Signature Transformations and Spelled Heptachords
Mariana Montiel

20. Textural Contour: A Proposal for Textural Hierarchy Through the Ranking of Partitions lexset

Daniel Moreira Sousa

21. The Sense of Subdominant: A Fregean Perspective on Music-Theoretical Conceptualization
Thomas Noll

22. How Learned Patterns Allow Artist-Level Improvisers to Focus on Planning and Interaction During Improvisation
Martin Norgaard

23. Tuning Systems Nested Within the Arnold Tongues: Musicological and Structural Interpretations
Gabriel Pareyon

24. Wooden Idiophones: Classification Through Phase Synchronization Analysis
Gabriel Pareyon, Silvia Pina-Romero

25. A Fuzzy Rule Model for High Level Musical Features on Automated Composition Systems
Iván Paz, Àngela Nebot, Francisco Mugica, Enrique Romero

26. The Musical Experience Between Measurement and Computation: From Symbolic Description to Morphodynamical Unfolding
Mark Reybrouck

27. Generic Additive Synthesis. Hints from the Early Foundational Crisis in Mathematics for Experiments in Sound Ontology
Julian Rohrhuber, Juan Sebastián Lach Lau

28. Dynamical Virtual Sounding Networks
Edmar Soria, Roberto Cabezas, Roberto Morales-Manzanares

29. Melodic Pattern Segmentation of Polyphonic Music as a Set Partitioning Problem
Tsubasa Tanaka, Koichi Fujii

30. Diagrams, Games and Time (Towards the Analysis of Open Form Scores)
Samuel Vriezen

31. On Minimal Change Musical Morphologies
Michael Winter

32. Restoring the Structural Status of Keys Through DFT Phase Space
Jason Yust

33. Mazzola, Galois, Peirce, Riemann, and Merleau-Ponty: A Triadic, Spatial Framework for Gesture Theory
Fernando Zalamea

Keywords: Computer Science, Computer Appl. in Arts and Humanities, Music, Mathematics in Music, Mathematics of Computing