Embodied Philosophy in Dance

Part I. Embodied Philosophy in Dance: Introduction

1. Dance and Philosophy: Phrasing an Entrance
Einav Katan

2. Dance as Embodied Philosophy
Einav Katan

3. Habitus, Embodied Knowledge, and Physical Intelligence
Einav Katan

4. Embodied Reflections
Einav Katan

Part II. The Sensual Emphasis of Gaga

5. “Float!”
Einav Katan

6. Enacting Perception
Einav Katan

7. Extending Perception
Einav Katan

8. Dancing Metaphors
Einav Katan

9. The Phenomenological Method of Gaga
Einav Katan

Part III. The Mental Emphasis of Gaga

10. “Connect Effort into Pleasure!”
Einav Katan

11. The Challenge of a Perceptual Gap between Body and Mind
Einav Katan

12. The Involvement of Psychology and Physicality
Einav Katan

13. Comprehending Emotions and Directing a Mood
Einav Katan

14. Intentionality and the Aesthetic Will
Einav Katan

Part IV. Gaga: Physical Practice of Intelligence

15. Multitasking Inquiries
Einav Katan

16. Decision Making
Einav Katan

17. The Intelligible Form
Einav Katan

18. Rhythm: Synchronization of Body and Mind
Einav Katan

19. The Physical Practice of Intelligence
Einav Katan

Part V. The Moving Forms of Dancing Gaga

20.
Bellus

Einav Katan

21. The Dancing Body as a Means of Expression
Einav Katan

22. Understanding Expressions
Einav Katan

23. Moving Forms of Dance
Einav Katan

Keywords: Cultural and Media Studies, Dance, Performing Arts, Philosophy of Mind, Aesthetics