The State of Post-Cinema

1. Introduction: Like Water: On the Re-Configurations of the Cinema in the Age of Digital Networks
Malte Hagener, Vinzenz Hediger, Alena Strohmaier

Part I. Informal Economies: Promises and Threats of Dissemination Technologies

2. Venice to Go: Cultural In/Difference and the Digital Ecology of Film
Vinzenz Hediger

3. Arab Storytelling in the Digital Age: From Musalsalāt to Web Drama?
Alexandra Buccianti

4. Mapping the Circulation of Films by Women Filmmakers with Maghrebi Funding in the Digital Age
Patricia Caillé

Part II. Informal Networks: National-Regional-Global Nexus

5. The Good Pirates: Moroccan Cinema in the Age of Digital Reproduction
Jamal Bahmad

6. Watching the Forbidden: Reception of Banned Films in Iran
Saeed Zeydabadi-Nejad

7. Why Stories Matter: Jafar Panahi and the Contours of Cinema
Alena Strohmaier

8. Informal Translation, Post-Cinema and Global Media Flows
Tessa Dwyer, Ramon Lobato

Part III. Informal Aesthetics: Reshaping Cine-Cultures

9. Post-Cinematic Distribution Flows: Alternative Content, Sports Films and the (In)Stability of the Multiplex Market
Florian Hoof

10. Distributing Moving Image Art After Digitization
Erika Balsom

11. Cinephilia and Film Culture in the Age of Digital Networks
Malte Hagener

12. The Secret Lives of Images
Marc Siegel

13. De-coding or Re-Encoding?
Kevin B. Lee

Keywords: Cultural and Media Studies, Film Theory