Cooke, Paul
Screening European Heritage
Part I. Contexts of Production
1. The Politics and Sociology of Screening the Past: A National and Transnational Perspective
Ib Bondebjerg
2. British Flanders: Co-produced Television Drama and the Limits of a European Heritage
Jaap Verheul
3. Whose Heritage?:
Alex Marlow-Mann
Part II. Limits of Representation
4. Towards World Heritage Cinema (Starting from the Negative)
Alan O’Leary
5. Rewriting History from the Margins: Diasporic Memory, Shabby Chic and Archival Footage
Daniela Berghahn
6. Facing Dark Heritage: The Legacy of Nazi Perpetrators in German-Language Film
Axel Bangert
7. Spectral Spanish Heritage: The Hauntology of
Paul Mitchell
8. Adapting Balzac in Jacques Rivette’s
Andrew Watts
9. The Ironic Gaze: Roots Tourism and Irish Heritage Cinema
Ruth Barton
Part III. Modes of Consumption
10. Historical Films in Europe: The Transnational Production, Circulation and Reception of ‘National’ Heritage Drama
Andrew Higson
11. From ‘English’ Heritage to Transnational Audiences: Fan Perspectives and Practices and Why They Matter
Claire Monk
12. From ‘Auschwitz-land’ to
Paul Cooke
13. Cinematic Pilgrimages: Postmodern Heritage Cinema
Rob Stone
Keywords: Cultural and Media Studies, Media Studies, History, general, European Cinema
- Editor
- Cooke, Paul
- Stone, Rob
- Publisher
- Springer
- Publication year
- 2016
- Language
- en
- Edition
- 1
- Series
- Palgrave European Film and Media Studies
- Page amount
- 34 pages
- Category
- Art, Art History
- Format
- Ebook
- eISBN (PDF)
- 9781137522801
- Printed ISBN
- 978-1-137-52279-5