Screening European Heritage

Part I. Contexts of Production

1. The Politics and Sociology of Screening the Past: A National and Transnational Perspective
Ib Bondebjerg

2. British Flanders: Co-produced Television Drama and the Limits of a European Heritage
Jaap Verheul

3. Whose Heritage?: Noi credevamo (We Believed) and the National, Regional and Transnational Dynamics of the Risorgimento Film
Alex Marlow-Mann

Part II. Limits of Representation

4. Towards World Heritage Cinema (Starting from the Negative)
Alan O’Leary

5. Rewriting History from the Margins: Diasporic Memory, Shabby Chic and Archival Footage
Daniela Berghahn

6. Facing Dark Heritage: The Legacy of Nazi Perpetrators in German-Language Film
Axel Bangert

7. Spectral Spanish Heritage: The Hauntology of La noche de los girasoles (The Night of the Sunflowers)
Paul Mitchell

8. Adapting Balzac in Jacques Rivette’s Ne Touchez pas la hache (Don’t Touch the Axe): Violence and the Post-Heritage Aesthetic
Andrew Watts

9. The Ironic Gaze: Roots Tourism and Irish Heritage Cinema
Ruth Barton

Part III. Modes of Consumption

10. Historical Films in Europe: The Transnational Production, Circulation and Reception of ‘National’ Heritage Drama
Andrew Higson

11. From ‘English’ Heritage to Transnational Audiences: Fan Perspectives and Practices and Why They Matter
Claire Monk

12. From ‘Auschwitz-land’ to Banglatown: Heritage Conflicts, Film and the Politics of Place
Paul Cooke

13. Cinematic Pilgrimages: Postmodern Heritage Cinema
Rob Stone

Keywords: Cultural and Media Studies, Media Studies, History, general, European Cinema