Cinema, Cross-Cultural Collaboration, and Criticism: Filming on an Uneven Field

1. Introduction — Cinematic Cross-Cultural Collaboration: Filming on an Uneven Field
Davinia Thornley

2. “An Instrument of Actual Change in the World”: Engaging a New Collaborative Criticism through Isuma/Arnait Productions’ Film, Before Tomorrow
Davinia Thornley

3. “My Whole Area Has Started to Be about What’s Left Over”: Alec Morgan, “Stolen Histories,” and Critical Collaboration on the Australian Aboriginal Documentary, Lousy Little Sixpence
Davinia Thornley

4. “A Space Being Right on That Boundary”: Critiquing Cross-Cultural Collaboration in Aotearoa New Zealand Cinema
Davinia Thornley

5. Conclusion — Modeling Collaborative Criticism: What Does It Mean to Collaborate Cross-Culturally in Cinema?
Davinia Thornley

Keywords: Cultural and Media Studies, Film and Television Studies, Film History, Social Anthropology, Cultural Anthropology, Sociology, general, Arts