Kunze, Peter C.
The Films of Wes Anderson
1. Introduction
Peter C. Kunze
2. The Short Films of Wes Anderson
Nicole Richter
3. Cast of Characters: Wes Anderson and Pure Cinematic Characterization
Kim Wilkins
4. The Jellyfish and the Moonlight: Imagining the Family in Wes Anderson’s Films
Steven Rybin
5. “Max Fischer Presents”: Wes Anderson and the Theatricality of Mourning
Rachel Joseph
6. “Who’s to Say?”: The Role of Pets in Wes Anderson’s Films
C. Ryan Knight
7. “American Empirical” Time and Space: The (In) Visibility of Popular Culture in the Films of Wes Anderson
Jason Davids Scott
8. From the Mixed-Up Films of Mr. Wesley W. Anderson: Children’s Literature as Intertexts
Peter C. Kunze
9. A Shared Approach to Familial Dysfunction and Sound Design: Wes Anderson’s Influence on the Films of Noah Baumbach
Jennifer O’Meara
10. Bill Murray and Wes Anderson, or the Curmudgeon as Muse
Colleen Kennedy-Karpat
11. Life on Mars or Life on the Sea: Seu Jorge, David Bowie, and the Musical World in Wes Anderson’s
Lara Hrycaj
12. The Andersonian, the Quirky, and “Innocence”
James MacDowell
13. “I Always Wanted to Be a Tenenbaum”: Class Mobility as Neoliberal Fantasy in Wes Anderson’s
Jen Hedler Phillis
14. Objects/Desire/Oedipus: Wes Anderson as Late-Capitalist Auteur
Joshua Gooch
15. Systems Thinking in
Laura Shackelford
Keywords: Cultural and Media Studies, Directing, Film and Television Studies, Arts, Film History
- Editor
- Kunze, Peter C.
- Publisher
- Springer
- Publication year
- 2014
- Language
- en
- Edition
- 1
- Page amount
- 234 pages
- Category
- Art, Art History
- Format
- Ebook
- eISBN (PDF)
- 9781137403124
- Printed ISBN
- 978-1-349-48692-2