Maxwell, Sutton and the Birth of Color Photography: A Binocular Study

1. Introduction: Shared Media, Differing Projects and Projections
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2. Enter Maxwell
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3. Photographic Illustrations
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4. What Objectivity? Whose Objectivity? Automatic Objectivity Is Social and Scientific
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5. Photography Organized, Mechanized and Scientific: From Amateurs to Professionals
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6. Photography as Instrument and Profession: Art versus Science
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7. Photographic Collaborations: Two More Cases
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8. Maxwell’s Pictorial and Photographic Background
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9. Methodology of Experimental Inaction
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10. Enter Sutton
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11. The Place of Collaboration and Chemistry between Men
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12. Technologies of Projection and Color: Different Problems and Images. Color and Truth
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13. A Tale of Two Experiments: From Professional to Cognitive Autonomy
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14. Photographic Consequences
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15. Conclusion
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Keywords: History, History of Science, Social History, Cultural History, History of Britain and Ireland, Modern History, Photography