Sinophone Cinemas

Part I. Theorizing Sinophone Cinemas

1. Framing Sinophone Cinemas
Audrey Yue, Olivia Khoo

2. Genealogies of Four Critical Paradigms in Chinese-Language Film Studies
Sheldon H. Lu

3. Alter-Centring Sinophone Cinema
Yiman Wang

4. Festivals, Censorship and the Canon: The Makings of Sinophone Cinemas
Yifen T. Beus

5. The Voice of the Sinophone
Song Hwee Lim

6. Singapore, Sinophone, Nationalism: Sounds of Language in the Films of Tan Pin Pin
Olivia Khoo

Part II. Contemporary Sinophone Cinemas

7. Mandarin Pop Meets Tokyo Jazz: Gender and Popular Youth Culture in Late-1960s Hong Kong Musicals
Jennifer Feeley

8. Sinophone Libidinal Economy in the Age of Neoliberalization and Mainlandization: Masculinities in Hong Kong SAR New Wave Cinema
Mirana May Szeto

9. ’singlish’ and the Sinophone: Nonstandard (Chinese/English) Languages in Recent Singaporean Cinema
Alison M. Groppe

10. British Chinese Short Films: Challenging the Limits of the Sinophone
Felicia Chan, Andy Willis

11. Contemporary Sinophone Cinema: Australia-China Co-Productions
Audrey Yue

Keywords: Cultural and Media Studies, Film and Television Studies, Asian Culture, Regional and Cultural Studies, Film History, Documentary, Genre