Semiotics of Exile in Contemporary Chinese Film

1. Introduction
Hong Zeng

2. Semiotics of Photography and Exile
Hong Zeng

3. Postmodern Signification and the Semiotics of Exile
Hong Zeng

4. Female Doubling and Postcolonial Exile
Hong Zeng

5. Semiotics of Exile and Genre Upsetting: Xie Jin’s Subversion of Melodrama in Hibiscus Town

Hong Zeng

6. Failure of Root-Searching in Chen Kaige
Hong Zeng

7. Semiotics of Exile and Displaced Film Codes: Jia Zhangke’s Three Films
Hong Zeng

8. Conclusion
Hong Zeng

Keywords: Cultural and Media Studies, Film and Television Studies, Asian Culture, Film History, Regional and Cultural Studies, Directing, Semiotics