Medieval and Early Modern Film and Media

1. Introduction: Film before and after New Media, Anec-notology, and the Philological Uncanny
Richard Burt

2. The Medieval and Early Modern Cinematographosphere: De-composing Paratexts, Media Analogues, and the Living Dead Hands of Surrealism, Psychoanalysis, and New Historicism
Richard Burt

3. The Passion of El Cid and the Circumfixion of Cinematic History: Stereotypology/Phantomimesis/Cryptomorphoses
Richard Burt

4. Cutting and (Re)Running from the (Medieval) Middle East: The Return of the Film Epic and the Uncanny Mise-hors-scènes of Kingdom of Heaven’s Double DVDs
Richard Burt

5. Le détour de Martin Guerre: “Anec-notes” of Historical Film Advisors, Archival Aberrations, and the Uncanny Subject of the Academic Paratext
Richard Burt

6. Epilegomenon: Anec-Post-It-Note to Self: Freud, Greenblatt, and the New Historicist Uncanny
Richard Burt

Keywords: Cultural and Media Studies, Film History, Performing Arts, Cultural History, British and Irish Literature, Medieval Literature, Film and Television Studies