Cyborg Cinema and Contemporary Subjectivity

1. Introduction
Sue Short

2. Cycles, Sub-Genres and Cyborg Cinema
Sue Short

3. Body and Soul: A History of Cyborg Theory
Sue Short

4. Food for Moloch: The Cyborg as Worker
Sue Short

5. The Synthetic Female: Cyborgs and the Inscription of Gender
Sue Short

6. The Best of Both Worlds? Hybridity, Humanity and the Other
Sue Short

7. Heart and Hearth: The Cyborg and Family Values
Sue Short

8. Reality Unplugged: Postmodernism, Posthumanism and the Cyborg
Sue Short

9. Summing Up the Cyborg: Towards a Conclusion
Sue Short

Keywords: Cultural and Media Studies, Film and Television Studies, American Cinema, Film History, Regional and Cultural Studies, Media Studies, Cultural Studies