Lehrer, Erica
Curating Difficult Knowledge
1. Introduction: Witnesses to Witnessing
Erica Lehrer, Cynthia E. Milton
Part I. Bearing Witness between Museums and Communities
2. “We were so far away”: Exhibiting Inuit Oral Histories of Residential Schools
Heather Igloliorte
3. The Past is a Dangerous Place: The Museum as a Safe Haven
Vivienne Szekeres
4. Teaching Tolerance through Objects of Hatred: The Jim Crow Museum of Racist Memorabilia as “Counter-Museum”
Monica Eileen Patterson
5. Politics of the Past: Remembering the Rwandan Genocide at the Kigali Memorial Centre
Amy Sodaro
Part II. Visualizing the Past
6. Living Historically through Photographs in Post-Apartheid South Africa: Reflections on Kliptown Museum, Soweto
Darren Newbury
7. Showing and Telling: Photography Exhibitions in Israeli Discourses of Dissent
Tamar Katriel
8. Visualizing Apartheid: Re-Framing Truth and Reconciliation through Contemporary South African Art
Erin Mosely
Part III. Materiality and Memorial Challenges
9. Points of No Return: Cultural Heritage and Counter-Memory in Post-Yugoslavia
Andrew Herscher
10. Defacing Memory: (Un)tying Peru’s Memory Knots
Cynthia E. Milton
11. (Mis)representations of the Jewish Past in Poland’s Memoryscapes: Nationalism, Religion, and Political Economies of Commemoration
Sławomir Kapralski
12. Afterword: The Turn to Pedagogy: A Needed Conversation on the Practice of Curating Difficult Knowledge
Roger I. Simon
Keywords: Cultural and Media Studies, Arts, Social History, Cultural History, Media Studies, Intellectual Studies, Cultural Studies
- Editor
- Lehrer, Erica
- Milton, Cynthia E.
- Patterson, Monica Eileen
- Publisher
- Springer
- Publication year
- 2011
- Language
- en
- Edition
- 1
- Series
- Palgrave Macmillan Memory Studies
- Page amount
- 232 pages
- Category
- Art, Art History
- Format
- Ebook
- eISBN (PDF)
- 9780230319554
- Printed ISBN
- 978-1-349-33390-5