Carel, Havi
New Takes in Film-Philosophy
1. Introduction
Havi Carel, Greg Tuck
Part I. Deep Focus — Approaches to Film-Philosophy
2. On the Possibility of Cinematic Philosophy
Thomas E. Wartenberg
3. Re-enfranchising Film: Towards a Romantic Film-Philosophy
Robert Sinnerbrink
4. Notes on Stanley Cavell and Philosophical Film Criticism
Andrew Klevan
5. Broken Glass by the Road: Adorno and a Cinema of Negativity
Hamish Ford
6. Film Can’t Philosophise (and Neither Can Philosophy): Introduction to a Non-Philosophy of Cinema
John Mullarkey
Part II. Wide Angles — The Boundaries of Film-Philosophy
7. The Loom of Fate: Graphic Origins and Digital Ontology in
Stephen Mulhall
8. Film, Literature and Non-Cognitive Affect
Amy Coplan, Derek Matravers
9. Theory as Style: Adapting
Catherine Constable
10. The Ghost is the Machine: Media-Philosophy and Materialism
Karin Littau
11. Art, Cinema, Sex, Ontology: Maurice Merleau-Ponty and the In-visible of Cinema
Greg Tuck
Part III. Directors Cut — Readings in Film Philosophy
12. Fleshing Out the Image: Phenomenology, Pedagogy, and Derek Jarman’s
Vivian Sobchack
13. Serious Men: The Films of the Coen Brothers as Ethics
Julian Baggini
14. A Bleak Burlesque: Michael Haneke’s
Andrew McGettigan
15. In the Grip of Grief: Epistemic Impotence and the Materiality of Mourning in Shinya Tsukamoto’s
Havi Carel
Keywords: Cultural and Media Studies, Film History, Political Philosophy, Social Philosophy, Film and Television Studies, Aesthetics
- Editor
- Carel, Havi
- Tuck, Greg
- Publisher
- Springer
- Publication year
- 2011
- Language
- en
- Edition
- 1
- Page amount
- 271 pages
- Category
- Art, Art History
- Format
- Ebook
- eISBN (PDF)
- 9780230294851
- Printed ISBN
- 978-0-230-25029-1