Dance, Space and Subjectivity

1. Introduction
Valerie A. Briginshaw

Part I. Constructions of Space and Subjectivity

2. Travel Metaphors in Dance — Gendered Constructions of Travel, Spaces and Subjects
Valerie A. Briginshaw

3. Transforming City Spaces and Subjects
Valerie A. Briginshaw

4. Coastal Constructions in Lea Anderson’s Out on the Windy Beach
Valerie A. Briginshaw

Part II. Dancing in the ‘In-Between Spaces’

5. Desire Spatialized Differently in Dances that can be Read as Lesbian
Valerie A. Briginshaw

6. Hybridity and Nomadic Subjectivity in Shobana Jeyasingh’s Duets with Automobiles
Valerie A. Briginshaw

7. Crossing the (black) Atlantic: Spatial and Temporal Displacements in Meredith Monk’s Ellis Island and Jonzi D’s Aeroplane Man
Valerie A. Briginshaw

Part III. Inside/Outside Bodies and Spaces

8. Fleshy Corporealities in Trisha Brown’s if You Couldn’t See Me, Lea Anderson’s Joan and Yolande Snaith’s Blind Faith
Valerie A. Briginshaw

9. ‘Carnivalesque’ Subversions in Mark Morris’ Dogtown, Liz Aggiss’ Grotesque Dancer and Emilyn Claid’s Across Your Heart
Valerie A. Briginshaw

10. Architectural Spaces in the Choreography of William Forsythe and De Keersmaeker’s Rosas Danst Rosas
Valerie A. Briginshaw

Keywords: Earth Sciences, Geology, Cultural and Media Studies, general, Sociology of the Body, Gender Studies, Dance, Social Theory